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    Within Australia Zubin toured Sydney, Melbourne Recital Centre’s Metropolis New Music Festival and Perth’s TURA Totally Huge New Music Festival with his ‘Dark Twin’ program for solo piano and electronics, premiering works by Julian Day and Cat Hope.

    instrumentation: two trumpet soloists, clarinet/bass clarinet, alto saxophone, trombone, electric lap steel guitar, double bass, and 5.1 channel electronics date: 2014-16 duration: 35’00 details: 46 pages, including performance instructions; A3 portrait; full color This piece is part of a larger conglomerate of works—each sharing the same title—that also includes a range of solo works, small chamber works, and works for electronics.

    He is a member of Ensemble Offspring, one of Australia’s leading contemporary music ensembles, and has also performed with Bang-on-a-can Allstars, Ensemble Plus-Minus, Endymion Ensemble, the Kreutzer Quartet, Halcyon and Synergy Percussion.

    Zubin has won many prizes for his performances of contemporary music, and nominated for a 2015 AIR award for ‘Best Independent Classical release’ for his new solo album, (Move Records).

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    Indeed the work is in many ways about the notion of the solo and related traditional concerto models, drawing on fairly simple, formal roles and relationships—all of the instrumental behaviours in the piece can be reduced to either solo, duet, cadenza (both notated and improvised), accompaniment (again incorporating improvisational components), or refrain, with these roles superimposed and juxtaposed in fluid, shapeshifting recombinations.

    That process of recombination is central to the form of the work, in which solos and small chamber groupings emerge and dissolve, flittering between independent solos & cadenzas and dependent, contingent ensemble formations, the membrane between leading and following or soloing and accompanying always porous and pliable.

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